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Who am I?

My name is David Peralta, and I help classical musicians build calm confidence under pressure. After more than 25 years performing in some of Europe’s leading orchestras as Principal Second Violin, and with over 1,500 coaching hours as an ICF PCC credentialed coach, I now support musicians with auditions, performance anxiety, and the mental side of preparation.

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Your Inner Critic Isn't Lazy. It's Your Most Dedicated Planner.

Your Inner Critic Isn't Lazy. It's Your Most Dedicated Planner.by: David PeraltaPublished on: 20/10/2026

Your inner critic does not only judge how you played. It plans your practice so perfectly that you end up practising less. How to recognise the pattern.

inner critic musicianpractice plan for auditionwhy I don't follow my practice planmusician perfectionismprocrastinating practiceaudition preparation
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Your Inner Critic Isn't Lazy. It's Your Most Dedicated Planner.

Stop Telling Musicians to Care Less

Stop Telling Musicians to Care Lessby: David PeraltaPublished on: 12/10/2026

Being told to care less before an audition rarely helps. Why caring is not the problem for musicians, and what actually turns it into pressure on stage.

caring too much before an auditionhow to not care so much about an auditionaudition pressureperformance anxiety musicians"it's just one audition"feeling flat before performing
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Stop Telling Musicians to Care Less

The Best Player in the Room Doesn't Always Win

The Best Player in the Room Doesn't Always Winby: David PeraltaPublished on: 06/10/2026

You were the strongest player in the round and still went home. Why orchestra auditions reward something other than level, and why that is good news

why didn't I win the auditionhow orchestra auditions are decidedlosing an orchestra auditionaudition panelplaying it safe in auditionsaudition rejection
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The Best Player in the Room Doesn't Always Win

You Prepared the Excerpts. You Did Not Prepare the Entrance.

You Prepared the Excerpts. You Did Not Prepare the Entrance.by: David PeraltaPublished on: 21/09/2026

You prepared the excerpts but not the entrance. Learn how to train the first ninety seconds of an audition, from the corridor to the first phrase.

how to start an audition wellaudition first excerpt nerveswalking on stage for an auditionsettling before you play
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You Prepared the Excerpts. You Did Not Prepare the Entrance.

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DISCLAIMER: The results stated are our client’s results. Please understand our clients' results are not typical, we're not implying you’ll duplicate them (or do anything for that matter). The average person who follows any “how to” information gets little to no results. We're using these references for example purposes only. Your results will vary and depend on many factors …including but not limited to your background, experience, and work ethic. All endeavors entail risk as well as massive and consistent effort and action. If you're not willing to accept that, this is not for you.